Showing posts with label Peavey. Show all posts
Showing posts with label Peavey. Show all posts

Monday, 2 November 2009

Finding a Gig - How to Book Engagements Regardless of Your Locale

Your band is just getting ready to start playing for money. Finding a gig may not be as hard as you think. Here are a few tips to think about and help you get going on your musical venture.

First, what type of music do you play? Are you a country band? Do you do mainly cover material or are you ready to hit the road with a couple of cd's worth of original material? There are always clubs that are featuring the type of music you play. Especially if you live in a large metropolitan area. Do you have what it takes to be a headhunter? This is dangerous territory, but if you are willing, find a club that has a band that is not as good as your band and approach the manager about playing for free on an off night. Then promote like your life depended on it. You better be ready if the owner says yes to your proposition.

Second, find a club that does not usually have music on a regular basis and offer to play for one night for the door. The main clientele will not want to pay to get into their favorite drinking hole, so be prepared to make some concessions. You will have to hire your own door man. Make sure he knows that those that see the sign about a cover and pull out cash without question are the ones you are looking for. Anyone who complains let them in free and just say, "Look it's all going to the band anyway. Why don't you just come on in and if you like what they are doing visit the tip jar." That way no one gets their feathers ruffled. And you certainly do not want to run off paying customers.

Third as soon as you book a night somewhere, make sure you have some other club owners lined up to come and spend an hour or so listening. Here again I can not express how important it is to promote this night with friends and relatives. You will have to make sure you are good and you will have to make sure the room is packed. Club owners know each other. The competition aspect between them is good for you. Fear of loss is a big motivator. Just be sure you can pull of your end.

Have more than a MySpace site for promotion. Visit clubs you want to book and hand deliver a promo packet. This packet should have photos of the band, short bio's, song lists, references, and a cd of your sound. Start delivering these at least a month before you set up a room. Then visit these club owners and tell them you think your band is a good fit for his venue and that you can make him some money. Make sure you stay in contact and get him to wherever you are playing. As always, the fortune is in the details and the follow-up.
Roy Gene Horne is a songwriter, musician, performer with over 30 years professional experience. He has written hundreds of songs, recorded, performed, booked, managed, and fronted his own band for all of those years. He has a created a website to help the aspiring musician/songwriter and offers resources which will enhance and teach music and the business of music as well. He invites you to visit. http: http://www.royhorne.ws and you can visit him on MySpace at http://www.myspace.com/rghorne

Article Source: http://EzineArticles.com/?expert=Roy_Horne

Wednesday, 21 October 2009

How to book a band Article Author:
The Morris Agency UK LTD

Initial fears that people have with planning the music and entertainment for their event are reasonable, as it is an integral part of the event and can even be part of the main focus. There are many factors to consider when planning your entertainment, not only whether the act you are booking for your event will suitably entertain your guests, or fit within your budget or them;, but you also need to consider whether they will be reliable and professional. In the worst case scenario we have heard of cases where artists have failed to turn up on time or cancelled without giving enough time to book another act in their place. Even if they do arrive, how do you know that they are going to be as good as their demo or show reel? And this is all on top of the rest of the event planning process of organising catering, a venue or conference facility, florists, guest invitations, transportation, accommodation need I go on? It can be a very daunting task

With this in mind, here are the key elements to think about to help get you started:

The Venue
When booking the venue it is important to check that they have the appropriate entertainment licence and the conditions of their licence including the type of entertainment they are allowed (some venues are not permitted to have amplified music), finishing/get out times, performance area size/space restrictions, if they have any noise restrictions (such as sound limiters), access times for the band/artist, power supply etc.

If you are considering a speciality act that uses fire or pyrotechnics, you also need to make sure that this is permitted in the venue.

These points are always good to know early on as this may dictate the kind of entertainment you can look for. For example, some venues have sound limiters that cut out sound automatically when it goes over a certain volume, so if you have booked a band, this can damage their equipment and most importantly can disrupt the whole evening.

However, all is not lost, even with a limitation on sound, there are still many acts that can be employed such as acoustic artists, but knowing this in advance will help you narrow your search or review your venue.

Band Hunting
So you know have an idea of the kind of act your venue will accommodate, lets go and look for your entertainment.

Armed with the information acquired from the venue you can now approach the artists, but where do you look? Well, there are a few options available to you:

Option 1 - Search the Internet. You can do a search for a certain type of artist/ band, listen to their website demos or watch their showreel and contact the artist directly. Although many artists have their own website, a great website does not necessarily mean a great artist. So not only can this method be quite simply mind numbing and time consuming, it is also a bit of a lottery if you are booking an artist you have never heard of.

Option 2 - Go on recommendation. This can narrow down your search quite fast, but do remember that colleagues may not have the same tastes and what one person may think is great might not be ideal for the guests attending your event.

Option 3 - Go to an agent. There are lots of agencies out there, (I should know, I am own one of them.) Obviously there is going to be a fee increase for this service, (normally between 15- 20% ) but, if the agency is a reputable one they should be able to earn their commission by verifying the acts and their ability, negotiating their fee to meet your budget, contracting the artist (more on that later) and communicating to the artist exactly what you need.
A note on professionalism. Many people place an importance on the performance but it is important not to overlook the other elements involved with booking an act/band for example, the way they conduct themselves both on and off stage, their dress code and also making sure they turn up in plenty of time etc.

Things to ask the band/act
Whether you are going through an agent or directly to the artist, the questions are still the same.

Here is important information you need to know about the artist:

Availability:
You must first check that the artist is available on the date of your event and that they are happy to travel to the event location.

How long will the artist perform for:
Performance times will vary depending on the kind of act you are booking and the event you are holding.

There are so many different possibilities depending on your requirements, but to give you an example, a typical live performance by a function band would be something like the following:

2 x 1 hour live sets (I like to include CD music in between and up to 45 mins after the performance)

Or

3 x 45 mins live sets (again with the bands would be quite happy to provide CD music in the price)

Act/Band styles
Some artists are available as a walkabout act as well as a stage act and some bands can perform as an acoustic duo or trio, as well as a full party band.

If you have a larger event then you may wish to have a reception performer when the guests arrive or are eating lunch/dinner. This could be a walkabout act, close-up magician or acoustic duo or trio band.

We have supplied many events with walkabout Mexican Mariachi bands, acoustic Hawaiian trio band, close-up magicians, human statues and Gypsy jazz musicians. It's an upbeat and fun start to the evening before the main act, as well as a brilliant ice-breaker if your guests don't know each other.

The latter part of the event can then incorporate a stage show or band for dancing, either using an artist from earlier or a different artist altogether.

Repertoire:
If you are booking a band, you should be able to get a sample set list from the band. I generally advise my clients to let the artist gauge the event as to what songs are played but within your initial enquiries it gives you a great idea of what they can do.

Fees:
Once the artist has all your requirements, they will then be able to quote you formally.

The fee you are quoted will be dependent on the location of the event, the performance you require, what day of the week your event is being held and the time of year your event is being held.

Barter!!
Don't be afraid to barter, most artists/agents are happy to negotiate their fee, as every event is different.

The Booking
Let us assume you have narrowed down a selection of acts, what next?

If you have decided on the artist you wish to book, but you need to get the go ahead from your MD or person paying for the event, it would be recommended to ask the band to hold that date for you.

Most artists will be happy to pencil in a date for you if you require time to make a firm decision about booking. This ensures that they won't take another booking while you're in the decision making process.

Deposits and contracts
Any reputable band or artist will insist on a contract to be signed by all parties once you confirm your booking. This should include all of the information that both sides have agreed to.

More often than not, the contract will also include a requirement for you, as the client, to provide refreshments and lockable changing facilities/dressing room for the artist during their time spent at your event.

You may also be sent an artist rider with the contract which is a list of artist requirements that you will be expected to provide as a courtesy.

Things to confirm within the contract:

Artist Name (making sure that the performers are the same ones as the demo/showreel!)
Location for the artist to appear
Date of performance
Time for arrival and set up of the artist
Performance times
Fee and payment terms (i.e deposits and payment due dates)
Artist contact number
Cancellation terms
Any special requirements regarding the performance/venue/guests or artist rider

As soon as you have signed and returned the contract and paid your deposit, your booking is confirmed.

The artist should be able to contact you a week before the performance to confirm any changes that you might have and you can rest assured that you have done all you can to make your event a night to remember.
A word on the author
Daniel Morris owns and runs The Morris Agency Ltd, one the UK's leading music and entertainment specialists. Previous clients include the BBC, Citi Group, NHS to name but a few. They are also the booking agents for Pizza Express, English Heritage and many more. You can contact them on 0871 890 1015 and info@themorrisagency.co.uk or visit their website at www.themorrisagency.co.uk